Dreams of Joy

  ALSO BY LISA SEE

  Shanghai Girls

  Peony in Love

  Snow Flower and the Secret Fan

  Dragon Bones

  The Interior

  Flower Net

  On Gold Mountain

  Dreams of Joy is a work of historical fiction. Apart from the well-known actual people, events, and locales that figure into the narrative, all names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously.

  Copyright © 2011 by Lisa See

  All rights reserved.

  Published in the United States by Random House, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  RANDOM HOUSE and colophon are registered trademarks of Random House, Inc.

  LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

  See, Lisa.

  Dreams of Joy: a novel/Lisa See.

  p. cm.

  eISBN: 978-0-679-60489-1

  1. Families—China—Fiction. 2. China—History—20th century—Fiction. I. Title

  PS3569.E3334D75 2011

  813’.54—dc22 2011003891

  www.atrandom.com

  Jacket design: Lynn Buckley and Ruby Levesque

  Jacket illustration: © Vincent Lexington Harper/ Zhiying Studio, Shanghai, China

  v3.1

  For my father,

  Richard See

  Author’s Note

  In 1958, a People’s Republic of China government committee developed the Pinyin style of transliteration for Chinese words, but it took some years before it was widely used on the mainland and it wasn’t adopted by the International Organization of Standardization until 1982. For these reasons, I have used the Wades-Giles system of transliteration for Chinese words in keeping with the times and with Pearl’s background and education. Those who read Shanghai Girls will remember that Pearl also uses a combination of Cantonese and Mandarin when speaking.

  The Great Leap Forward began in 1958 and ended in 1962. Although the number of people who died in the resulting famine will never be fully known, archival material recently released by the Chinese government along with research done by scholars and journalists suggest 45 million fatalities.

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  Dedication

  Author’s Note

  Prologue

  Part One: The Tiger Leaps

  Joy: Life Savers

  Joy: Two Shadows Lengthening

  Joy: A Sprig of Bamboo

  Pearl: A Widow Should …

  Pearl: Forever Beautiful

  Joy: Observing and Learning from Real Life

  Part Two: The Rabbit Dodges

  Joy: Standing Against the Wind and Waves

  Pearl: Dust and Memories

  Joy: Loyalty of Redness; Expertise of Brush

  Pearl: Scars on her Breast

  Pearl: The Sorrow of Life

  Joy: A Small Radish

  Pearl: Riding a Flowered Palanquin

  Part Three: The Dog Grins

  Pearl: A Smiling Face

  Pearl: A Perfect Circle

  Joy: Between the Yellow and the Green

  Joy: Glass Clothes

  Pearl: The Ladder of Life

  Joy: Launching a Sputnik

  Pearl: A Rose-Petal Cake

  Joy: Living an Abundant Year

  Pearl: A Brave Heart

  Joy: A Good Mother

  Part IV: The Dragon Rises

  Pearl: Separated by a Thread

  Joy: This is Joy

  Joy: The Heartbeat of the Artist

  Pearl: A Place of Memory

  Pearl: Fate Continues, Fortune Abounds

  Acknowledgments

  About the Author

  THE WAIL OF a police siren in the distance tears through my body. Crickets whir in a never-ending chorus of blame. My aunt whimpers in her twin bed at the other end of the screened porch we share—a reminder of the misery and embarrassment from the secrets she and my mother threw at each other during their argument tonight. I try to listen for my mother in her room, but she’s too far away. That silence is painful. My hands grab the bedsheets, and I struggle to focus on an old crack in the ceiling. I’m desperately attempting to hang on, but I’ve been on a precipice since my father’s death, and now I feel as though I’ve been pushed over the edge and am falling.

  Everything I thought I knew about my birth, my parents, my grandparents, and who I am has been a lie. A big fat lie. The woman I thought was my mother is my aunt. My aunt is actually my mother. The man I loved as my father was not related to me at all. My real father is an artist in Shanghai whom both my mother and aunt have loved since before I was born. And that’s only the tip of the iceberg—as Auntie May might say. But I was born in the Year of the Tiger, so before the gnawing blackness of guilt about my dad’s death and the anguish I feel about these revelations overpower me, I grip the sheets tighter, set my jaw, and try to force my emotions to cower and shrink before my Tiger ferocity. It doesn’t work.

  I wish I could talk to my friend Hazel, but it’s the middle of the night. I wish even more that I could be back at the University of Chicago, because my boyfriend, Joe, would understand what I’m going through. I know he would.

  It’s two in the morning by the time my aunt drifts off to sleep and the house seems quiet. I get up and go to the hall, where my clothes are kept in a linen closet. Now I can hear my mother weeping, and it’s heartbreaking. She can’t imagine what I’m about to do, but even if she did, would she stop me? I’m not her daughter. Why should she stop me? I quickly pack a bag. I’ll need money for where I’m going, and the only place I know to get it will bring me more disgrace and shame. I hurry to the kitchen, look under the sink, and pull out the coffee can that holds my mother’s savings to put me through college. This money represents all her hopes and dreams for me, but I’m not that person anymore. She’s always been cautious, and for once I’m grateful. Her fear of banks and Americans will fund my escape.

  I look for paper and a pencil, sit down at the kitchen table, and scrawl a note.

  Mom, I don’t know who I am anymore. I don’t understand this country anymore. I hate that it killed Dad. I know you’ll think I’m confused and foolish. Maybe I am, but I have to find answers. Maybe China is my real home…

  I go on to write that I mean to find my real father and that she shouldn’t worry about me. I fold the paper and take it to the porch. Auntie May doesn’t stir when I put the note on my pillow. At the front door, I hesitate. My invalid uncle is in his bedroom at the back of the house. He’s never done anything to me. I should tell him good-bye, but I know what he’ll say. “Communists are no good. They’ll kill you.” I don’t need to hear that, and I don’t want him to alert my mother and aunt that I’m leaving.

  I pick up my suitcase and step into the night. At the corner, I turn down Alpine Street, and head for Union Station. It’s August 23, 1957, and I want to memorize everything because I doubt I’ll ever see Los Angeles Chinatown again. I used to love to stroll these streets, and I know them better than anyplace else in the world. Here, I know everyone and everyone knows me. The houses—almost all of them clapboard bungalows—have been what I call Chinafied, with bamboo planted in the gardens, pots with miniature kumquat trees sitting on porches, and wooden planks laid on the ground on which to spread leftover rice for birds. I look at it all differently now. Nine months at college—and the events of tonight—will do that. I learned and did so much at the University of Chicago during my freshman year. I met Joe and joined the Chinese Students Democratic Christian Association. I learned all about the People’s Republic of China and what Chairm
an Mao is doing for the country, all of which contradicts everything my family believes. So when I came home in June, what did I do? I criticized my father for seeming as if he were fresh off the boat, for the greasy food he cooked in his café, and for the dumb TV shows he liked to watch.

  These memories trigger a dialogue in my head that I’ve been having since his death. Why didn’t I see what my parents were going through? I didn’t know that my father was a paper son and that he’d come to this country illegally. If I’d known, I never would have begged my dad to confess to the FBI—as if he didn’t have anything to hide. My mother holds Auntie May responsible for what happened, but she’s wrong. Even Auntie May thinks it was her fault. “When the FBI agent came to Chinatown,” she confessed to me on the porch only a few hours ago, “I talked to him about Sam.” But Agent Sanders never really cared about my dad’s legal status, because the first thing he asked about was me.

  And then the loop of guilt and sorrow tightens even more. How could I have known that the FBI considered the group I joined a front for Communist activities? We picketed stores that wouldn’t allow Negroes to work or sit at the lunch counter. We talked about how the United States had interned American citizens of Japanese descent during the war. How could those things make me a Communist? But they did in the eyes of the FBI, which is why that awful agent told my dad he’d be cleared if he ratted out anyone he thought was a Communist or a Communist sympathizer. If I hadn’t joined the Chinese Students Democratic Christian Association, the FBI couldn’t have used that to push my father to name others—specifically me. My dad never would have turned me in, leaving him only one choice. As long as I live I will never forget the sight of my mother holding my father’s legs in a hopeless attempt to take his weight off the rope around his neck, and I will never ever forgive myself for my role in his suicide.

  Joy

  LIFE SAVERS

  I TURN DOWN Broadway and then onto Sunset, which allows me to continue passing places I want to remember. The Mexican tourist attraction of Olvera Street is closed, but strings of gaily colored carnival lights cast a golden glow over the closed souvenir stands. To my right is the Plaza, the birthplace of the city, with its wrought-iron bandstand. Just beyond that, I see the entrance to Sanchez Alley. When I was little, my family lived on the second floor of the Garnier Building on Sanchez Alley, and now my heart fills with memories of my grandmother playing with me in the Plaza, my aunt treating me to Mexican lollipops on Olvera Street, and my mother taking me through here every day to and from school in Chinatown. Those were happy years, and yet they were also filled with so many secrets that I wonder what in my life was real at all.

  Before me, palm trees throw perfect shadows on Union Station’s stucco walls. The clock tower reads 2:47 a.m. I was barely a year old when the train station opened, so this place too has been a constant in my life. There are no cars or streetcars at this hour, so I don’t bother waiting for the light to change and dash across Alameda. A lone taxi sits at the curb outside the terminal. Inside, the cavernous waiting room is deserted, and my footsteps echo on the marble and tile floors. I slip into a telephone booth and shut the door. An overhead light comes on, and I see myself in the glass’s reflection.

  My mother always discouraged me from acting like a peacock. “You don’t want to be like your auntie,” she always chastised me if she caught me looking in a mirror. Now I realize she never wanted me to look too closely. Because now that I look, now that I really look, I see just how much I resemble Auntie May. My eyebrows are shaped like willow leaves, my skin is pale, my lips are full, and my hair is onyx black. My family always insisted that I keep it long and I used to be able to sit on it, but earlier this year I went to a salon in Chicago and asked to have it cut short like Audrey Hepburn’s. The beautician called it a pixie cut. Now my hair is boy-short and shines even here in the dim light of the phone booth.

  I dump the contents of my coin purse on the ledge, then dial Joe’s number and wait for the operator to tell me how much the first three minutes will cost. I put the coins in the slot, and Joe’s line rings. It’s close to five a.m. in Chicago, so I’m waking him up.

  “Hello?” comes his groggy voice.

  “It’s me,” I say, trying to sound enthusiastic. “I’ve run away. I’m ready to do what we talked about.”

  “What time is it?”

  “You need to get up. Pack. Get on a plane to San Francisco. We’re going to China. You said we should be a part of what’s happening there. Well, let’s do it.”

  Across the telephone line, I hear him roll over and sit up.

  “Joy?”

  “Yes, yes, it’s me. We’re going to China!”

  “China? You mean the People’s Republic of China? Jesus, Joy, it’s the middle of the night. Are you okay? Did something happen?”

  “You took me to get my passport so we could go together.”

  “Are you crazy?”

  “You said that if we went to China we’d work in the fields and sing songs,” I continue. “We’d do exercises in the park. We’d help clean the neighborhood and share meals. We wouldn’t be poor and we wouldn’t be rich. We’d all be equal.”

  “Joy—”

  “Being Chinese and carrying that on our shoulders and in our hearts can be a burden, but it’s also a source of pride and joy. You said that too.”

  “It’s one thing to talk about all that’s happening in China, but I have a future here—dental school, joining my dad’s practice.… I never planned on actually going there.”

  When I hear the ridicule in his voice, I wonder what all those meetings and all his chatter were about. Was talking about equal rights, sharing the wealth, and the value of socialism over capitalism just a way to get in my pants? (Not that I let him.)

  “I’d be killed and so would you,” he concludes, echoing the same propaganda that Uncle Vern has recited to me all summer.

  “But it was your idea!”

  “Look, it’s the middle of the night. Call me tomorrow. No, don’t do that. It costs too much. You’ll be back here in a couple of weeks. We can talk about it then.”

  “But—”

  The line goes dead.

  I refuse to allow my fury with and disappointment in Joe to shake me from my plan. My mom has always tried to nurture my best characteristics. Those born in the Year of the Tiger are romantic and artistic, but she has always cautioned me that it’s also in a Tiger’s nature to be rash and impulsive, to leap away when circumstances are rough. These things my mom has tried to cage in me, but my desire to leap is overwhelming and I won’t let this setback stop me. I’m determined to find my father, even if he lives in a country of over 600 million people.

  I go back outside. The taxi is still here. The driver sleeps in the front seat. I tap on the window, and he wakes with a jerk.

  “Take me to the airport,” I say.

  Once there, I head straight for the Western Airlines counter, because I’ve always liked their television commercials. To go to Shanghai, I’ll have to fly to Hong Kong first. To go to Hong Kong, I’ll have to depart from San Francisco. I buy a ticket for the first leg of my journey and board the day’s first flight to San Francisco. It’s still early morning when I land. I go to the Pan Am counter to ask about Flight 001, which goes all the way around the world with stops in Honolulu, Tokyo, and Hong Kong. The woman in her perky uniform looks at me strangely when I pay cash for a one-way ticket to Hong Kong, but when I hand her my passport, she gives me the ticket anyway.

  I have a couple of hours to wait for my plane. I find a phone booth and call Hazel’s house. I don’t plan on telling her where I’m going. Joe already let me down, and I suspect Hazel’s reaction would be even worse. She’d warn me that Red China is a bad place and stuff like that—all the usual negativity we’re both accustomed to hearing from our families.

  The youngest Yee sister answers the phone, and she hands me over to Hazel.

  “I want to say good-bye,” I say. “I’m leaving the countr
y.”

  “What are you talking about?” Hazel asks.

  “I have to get away.”

  “You’re leaving the country?”

  I can tell Hazel doesn’t believe me—because neither of us has been anywhere other than Big Bear and San Diego for weekend excursions with the Methodist church, and college—but she will later. By then, I’ll be somewhere over the Pacific. There’ll be no turning back.

  “You’ve always been a good friend,” I tell her. Tears cloud my eyes. “You’ve been my best friend. Don’t forget me.”

  “I won’t forget you.” Then after a pause, she asks, “So do you want to go to Bullock’s this afternoon? I wouldn’t mind buying some things to take back to Berkeley.”

  “You’re the best, Haz. Bye.”

  The click of the receiver going back into the cradle sounds final.

  When my flight is called, I board and take my seat. My fingers seek out the pouch I wear around my neck. Auntie May gave it to me last summer before I left for Chicago. It contains three sesame seeds, three beans, and three coppers from China. “Our mother gave these pouches to Pearl and me to protect us when we fled Shanghai,” she told me last night. “I gave mine to you on the day you were born. Your mother didn’t want you to wear it when you were a baby, but she let me give it to you when you went away to college. I’m glad you’ve worn it this past year.” My aunt … My mom … My eyes begin to well, but I fight back the tears, knowing that, if I start to cry, I may never stop.

  But how could May have given me up? How could my real father have let me go? And what about my father Sam? Did he know I wasn’t his? May said no one else knew. If he had known, he wouldn’t have killed himself. He would still be alive to throw me out on the street as the disrespectful, shameful, deceitful, troublemaking bastard that I am. Well, I’m out now. My mom and aunt are probably up, and still not speaking to each other but beginning to wonder where I am. I’m glad I’m not there to choose which mother to love and be loyal to, even with all their poisonous secrets, because that’s an impossible choice. Worst, there’s going to be a moment when things calm down and my mom and aunt make peace—and they go over everything again with a fine-tooth comb, as they always do—that they put two and two together and realize that I’m the real source of what happened to my father Sam, not Auntie May. How will they react when it finally sinks in that I’m the one the FBI was interested in, that I’m the one who led Agent Sanders right to our home, causing such devastation? When that happens, they’ll be glad I’m gone. Maybe.